AKG D 112 incl. SA60 stand adapter D112 MKII, vs AUDIX KSCOMX Kick, Snare Combo with New D6X, I5 & DVICE
Updated August 2026 — full head-to-head comparison.
Overview of the AKG D 112 and AUDIX KSCOMX Kick
The AKG D 112 is priced at $259.00, while the AUDIX KSCOMX Kick is more expensive at $349.00, making it about 35% pricier. Both microphones are designed for professional audio applications, but they cater to different needs. The AKG D 112 is primarily tailored for bass instruments, whereas the AUDIX KSCOMX Kick serves as a versatile combo that includes a kick drum mic and a snare instrument mic.
Design and Build Quality
The AKG D 112 features a robust design tailored for heavy use, especially in live sound and studio settings. Its large-diaphragm dynamic structure is specifically engineered for capturing low frequencies, making it ideal for bass instruments. In contrast, the AUDIX KSCOMX Kick includes multiple components: the D6X for kick drums, the I5 for snare, and the DVICE clamp for mounting. This design versatility allows it to adapt to various performance scenarios, demonstrating a focus on multi-instrument applications.
Sound Quality
In terms of sound quality, the AKG D 112 excels with its high SPL capability and a frequency response that extends down to 20 Hz. This feature ensures that it can handle the intense sounds produced by bass instruments without distortion. On the other hand, the AUDIX KSCOMX Kick incorporates the D6X mic, which boasts three selectable filters for tone flexibility, alongside the I5 mic designed for clarity and accuracy. Both microphones promise excellent sound quality, but they cater to different sonic needs.
Usability in Live Settings
When it comes to usability in live settings, both microphones are designed with performance in mind. The AKG D 112 is renowned as a classic microphone for both stage and studio applications, making it a trusted choice among musicians. The AUDIX KSCOMX Kick, with its DVICE mini-gooseneck, provides easy positioning and flexibility during performances. This adaptability gives it an edge in dynamic live environments, where quick adjustments are essential.
Target Audience
The AKG D 112 is ideally suited for bass players and sound engineers looking for a reliable mic primarily for low-frequency instruments. Its design focuses on delivering powerful bass sound. Conversely, the AUDIX KSCOMX Kick is targeted toward drummers and bands that require a comprehensive mic solution for both kick and snare drums. Its dual functionality makes it attractive for those looking for versatility in their microphone setup.
Price Comparison
The AKG D 112 is priced at $259.00, while the AUDIX KSCOMX Kick is listed at $349.00. This price difference of $90 makes the AKG D 112 about 26% cheaper compared to the AUDIX model. For budget-conscious musicians or sound engineers, this could be a decisive factor, especially given that both microphones are designed for professional use.
Sales Performance
In terms of sales performance, the AKG D 112 has a bestseller rank of 60,726, while the AUDIX KSCOMX Kick ranks slightly lower at 75,875. This suggests that the AKG D 112 may be a more popular choice among users, possibly due to its established reputation for quality and performance in the bass microphone category.
Which should you buy?
Deciding between the AKG D 112 and the AUDIX KSCOMX Kick ultimately hinges on your specific musical needs. If your focus is on miking bass instruments and you prefer a more cost-effective option, the AKG D 112 is the clear winner. However, if you require a versatile setup that includes both kick and snare mics, the AUDIX KSCOMX Kick, despite its higher price, offers enhanced functionality. Both microphones deliver quality sound, but your choice will depend on whether you prioritize specialization or versatility in your audio setup.

