Focusrite Scarlett 2i2 4th Gen, 2-in, 2-out vs Kellards Focusrite Scarlett Solo USB-C Audio
Updated April 2026 — Focusrite Scarlett 2i2 4th Gen, 2-in, 2-out wins on input/output count and value, Kellards Focusrite Scarlett Solo USB-C Audio wins on gain range and feature set.
$179.99Focusrite Scarlett Solo USB-C Audio Interface (4th Gen) Bundle with Polsen HPC-A30 Studio Monitor Headphones, Pop Filter and XLR- XLR Cable
Kellards
The Kellards Focusrite Scarlett Solo USB-C Audio edges out the Focusrite Scarlett 2i2 4th Gen due to its detailed specification of gain range and advanced safety features like Clip Safe. While the 2i2 offers a lower price point and explicit 2-in/2-out configuration, the Solo model provides more transparent performance metrics including a 69dB gain range. Users prioritizing automated gain control and specific preamp details should choose the Solo.
Why Focusrite Scarlett 2i2 4th Gen, 2-in, 2-out is better
Lower retail price point
Listed at $179.99 compared to $224.99
Explicit input configuration
Title specifies 2-in configuration
Explicit output configuration
Title specifies 2-out configuration
Why Kellards Focusrite Scarlett Solo USB-C Audio is better
Specified gain range
Documents 69dB gain range versus unspecified
Advanced safety features
Includes Clip Safe and Auto Gain technology
Visual monitoring tools
Equipped with Dynamic Gain Halos for level monitoring
Overall score
Specifications
| Spec | Focusrite Scarlett 2i2 4th Gen, 2-in, 2-out | Kellards Focusrite Scarlett Solo USB-C Audio |
|---|---|---|
| Price | $179.99 | $224.99 |
| Brand | Kellards | Focusrite |
| Dynamic Range | 120dB | 120dB |
| Gain Range | — | 69dB |
| Input Count | 2-in | — |
| Output Count | 2-out | — |
| Generation | 4th Gen | 4th-Generation |
| Special Features | Air mode, Easy Start | Auto Gain, Clip Safe, Dynamic Gain Halos |
Dimension comparison
Design and build quality
Both units represent the 4th generation of their respective lines, indicating modern engineering standards. Product A is listed under the brand Kellards while Product B carries the Focusrite brand name, despite both referencing Scarlett technology in their titles. The physical construction details are not explicitly quantified in the provided data, but both interfaces are designed for studio environments. Product B highlights super-high-quality line inputs for connecting keys and synths, suggesting robust build quality for various instrument types. Product A emphasizes a songwriter's interface design intended for portable music creation.
Input and output configuration
Product A clearly states a 2-in, 2-out configuration in its title, providing immediate clarity on connectivity capacity. This allows for simultaneous recording of two sources. Product B is titled as a Solo USB-C Audio interface, which typically implies a single input focus, though the features mention hooking up electric guitars to one of 2i2's Hi-Z instrument inputs. This creates some ambiguity in the provided text regarding Product B's exact physical port count. For users requiring definitive dual inputs without ambiguity, Product A offers clearer specification in its primary labeling.
Audio performance and dynamic range
Both interfaces claim a huge 120dB dynamic range. Product A states this uses the same converters as Focusrite's flagship interfaces found in major studios. Product B echoes this claim, noting the Scarlett 2i2 uses studio-grade converters similar to Focusrite's flagship RedNet interfaces. This parity suggests that despite potential branding differences in the data, the core conversion technology is intended to be identical. Users can expect professional-grade digital conversion from either unit based on this shared 120dB metric.
Gain structure and preamps
Product B provides specific data regarding its microphone preamplifiers, citing a 69dB gain range. It describes these as 4th-Generation mic pres that are the clearest and most detailed ever found on a Scarlett. Product A mentions studio-quality sound but does not provide a specific numerical gain range in the provided features. The specificity of the 69dB figure in Product B allows for better planning regarding microphone compatibility, particularly for dynamic microphones requiring higher gain levels.
Safety and automation features
Product B includes several automated features designed to prevent recording errors. It features Auto Gain, which sets the perfect level after ten seconds of play. It also includes Clip Safe, which automatically adjusts gain if clipping is risked. Dynamic Gain Halos are present to monitor input levels visually. Product A mentions Easy Start tools for quick setup but lacks the specific automated gain safety features listed for Product B. These features in Product B simulate having a pro engineer watching the session.
Software and ecosystem
Product A includes industry-leading recording software and a full collection of record-making plugins. It emphasizes that everything needed to record, mix, and master is included. Product B does not explicitly list software inclusions in the provided feature set, focusing instead on hardware capabilities like Air Mode and gain structures. Product A's inclusion of a full software collection may provide better immediate value for users who do not already own a Digital Audio Workstation. Product A also highlights the Easy Start tool for rapid deployment.
Price and value
Product A is priced at $179.99, while Product B is listed at $224.99. This makes Product A the more affordable option by approximately $45. Product A offers a lower entry point for users seeking 2-in/2-out capabilities. Product B commands a higher price, potentially justified by the specific gain range documentation and advanced safety features like Clip Safe. Value depends on whether the user prioritizes cost savings or specific gain metadata and automation features. Product A wins on pure cost efficiency.
Which one should you buy?\n
Choose Product A if you need a confirmed 2-in/2-out interface at a lower price point of $179.99. It is suitable for songwriters who want included software and clear input/output counts. Choose Product B if you require detailed gain specifications and automated recording safety. The 69dB gain range and Clip Safe features make it preferable for users recording varied sources who want protection against clipping. While Product B costs more at $224.99, the additional feature set provides technical advantages for critical recording sessions.
