Laowa vs SIRUI Night Walker
Updated July 2026 — Laowa wins on price and fov, SIRUI Night Walker wins on weight.
The Laowa lens excels in wide-angle photography and autofocus, while the SIRUI lens offers a budget-friendly option with a large aperture for filmmakers.
Why Laowa is better
Wide Angle
Laowa offers a 122° field of view.
Autofocus
Laowa features autofocus for ease of use.
Lightweight
Laowa weighs only 377g, making it more portable.
Why SIRUI Night Walker is better
Price
SIRUI is significantly cheaper at $279.
Cine Quality
SIRUI is designed for cinematic use.
Bokeh
SIRUI produces pleasing bokeh with T1.2 aperture.
Overall score
Specifications
| Spec | Laowa | SIRUI Night Walker |
|---|---|---|
| Max Aperture | f/2.8 | T1.2 |
| Lens Elements | 16 elements | 11 elements |
| Focus Type | Autofocus | Manual |
| Close Focus | 14mm | 0.4m |
| Bokeh Blades | 5/14 | 12 |
Dimension comparison
Price Comparison
When it comes to pricing, the SIRUI Night Walker 35mm S35 Manual Focus Cine Lens is significantly cheaper than the Laowa 12mm f/2.8 Lite Zero-D FF Ultra-Wide Angle Lens, coming in at $279.00 compared to $699.00 for the Laowa lens. This represents a price difference of about 60%, making the SIRUI lens a budget-friendly option for filmmakers and photographers looking to save money without sacrificing quality. The Laowa lens, while more expensive, offers premium features that cater to specific photographic needs.
Design and Build Quality
In terms of design, both lenses boast a sturdy construction, but they cater to different cameras and uses. The Laowa 12mm f/2.8 is built for full-frame mirrorless cameras and weighs only 377g, making it highly portable for landscape and architectural photography. On the other hand, the SIRUI Night Walker 35mm features a robust aluminum cine housing, weighing around 500g. This lens is designed for S35 coverage, making it ideal for documentary and portrait filming. While both lenses are portable, the Laowa lens offers a lighter option, which can be a significant advantage for photographers on the go.
Aperture and Low-Light Performance
The Laowa 12mm f/2.8 features a fast maximum aperture of f/2.8, which provides excellent low-light performance and depth control. This makes it a versatile option for various shooting conditions, particularly in landscape photography. Conversely, the SIRUI Night Walker 35mm has an impressive T1.2 large aperture, which excels in low-light filming situations. With its ability to produce minimal noise in night scenes, the SIRUI lens is particularly suited for videographers needing high-quality footage in dim conditions. While both lenses perform well in low light, the SIRUI lens offers a substantial advantage for filmmakers.
Field of View and Usage
The Laowa 12mm f/2.8 boasts an expansive 122° field of view, making it an excellent choice for capturing wide landscapes and architectural shots. This ultra-wide angle ensures that photographers can include more of the scene in their compositions without stepping back. In contrast, the SIRUI Night Walker 35mm has an equivalent focal length of 49mm for full-frame cameras, which is more versatile for human subjects, documentary filming, and portraiture. Each lens serves distinct purposes in photography, with the Laowa focusing on wide-angle scenes and the SIRUI catering to more intimate, focused shots.
Optical Performance
Both lenses are engineered for exceptional optical performance, but they employ different technologies. The Laowa 12mm f/2.8 features a complex construction of 16 elements in 9 groups, ensuring minimal distortion and superior image quality. This is especially important for landscape and architectural photography, where straight lines need to be maintained. On the other hand, the SIRUI Night Walker 35mm is designed to achieve perfect sharpness and minimal focus breathing, a crucial aspect for filmmakers who require consistent focus during shots. Both lenses excel in their respective areas, but the Laowa lens is tailored for wide-angle photography while the SIRUI lens is optimized for cinematic quality.
Bokeh and Artistic Effects
When it comes to bokeh and artistic effects, the Laowa 12mm f/2.8 offers dual aperture options, allowing users to choose between a 5-blade design for distinctive sunstars or a 14-blade configuration for smoother bokeh. This versatility makes it suitable for creative photography where background blur is essential. The SIRUI Night Walker 35mm, with its T1.2 aperture, also produces beautiful bokeh and clear subject separation, contributing to aesthetically pleasing footage. While both lenses provide excellent bokeh, the Laowa's dual options give photographers more creative control over their images.
Focusing Mechanism
Focusing mechanisms differ significantly between the two lenses. The Laowa 12mm f/2.8 features autofocus, making it more user-friendly, especially for photographers who may not want to manually adjust focus frequently. This can be a considerable advantage during fast-paced shooting situations. In contrast, the SIRUI Night Walker 35mm is a manual focus lens, which may appeal to cine lens users who prefer precise control over focus. While each system has its advantages, the Laowa's autofocus may be more appealing to photographers, while the SIRUI's manual focus is designed for filmmakers who require greater precision.
Which should you buy?
Ultimately, the choice between the Laowa 12mm f/2.8 Lite Zero-D FF Ultra-Wide Angle Lens and the SIRUI Night Walker 35mm S35 Manual Focus Cine Lens largely depends on your specific needs and shooting style. If you prioritize wide-angle photography, low-light capabilities, and autofocus features, the Laowa lens, albeit more expensive at $699.00, may be the better choice. However, if you are a filmmaker seeking a budget-friendly option with a large aperture for low-light filming, the SIRUI lens at $279.00 offers excellent value. Each lens caters to different uses, making it essential to assess your priorities before making a purchase.

