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Shure BETA 56A Snare and Tom Microphone - vs Shure SM-57 Cardioid Dynamic Instrument Microphone

Updated August 2026 — Shure BETA 56A Snare and Tom Microphone - leads on flexibility and noise isolation.

The Shure BETA 56A is ideal for drummers needing specialized sound capture, while the Shure SM-57 offers versatility at a lower price.

Why Shure BETA 56A Snare and Tom Microphone - is better

Sound Quality

BETA 56A is tailored for drums with superior sound capture.

Design

BETA 56A features a compact swivel-mount design for close miking.

Specialization

BETA 56A is specifically engineered for percussion instruments.

Why Shure SM-57 Cardioid Dynamic Instrument Microphone is better

Price

SM-57 is significantly cheaper at $98.00.

Versatility

SM-57 performs well across a variety of instruments.

Popularity

SM-57 has a higher sales rank, indicating broader appeal.

Overall score

Shure BETA 56A Snare and Tom Microphone -
85
Shure SM-57 Cardioid Dynamic Instrument Microphone
75

Specifications

SpecShure BETA 56A Snare and Tom Microphone -Shure SM-57 Cardioid Dynamic Instrument Microphone
Frequency Response50 to 16,000 HzNot specified
Pickup PatternSupercardioidCardioid
Shock MountYesYes
Stand AdapterYesNo
Signal-to-NoiseHighMedium

Dimension comparison

Shure BETA 56A Snare and Tom Microphone -Shure SM-57 Cardioid Dynamic Instrument Microphone

Overview of the Shure BETA 56A and Shure SM-57

The Shure BETA 56A and Shure SM-57 are two prominent microphones from Shure, each designed for different applications in music and sound production. The BETA 56A is specifically engineered for close miking of drums and other instruments, while the SM-57 is known for its versatility with both amplified and acoustic instruments. Priced at $170.00, the BETA 56A is positioned as a premium option, whereas the SM-57, at $98.00, offers a more budget-friendly choice for musicians and sound engineers.

Design and Build Quality

Both microphones showcase Shure’s commitment to durability and functionality, but they cater to different needs. The BETA 56A features a compact, swivel-mount design that is ideal for close miking, reducing stage clutter. Its hardened steel mesh grille enhances its durability against wear and abuse. On the other hand, the SM-57 is similarly robust, but its design is more traditional, focused on versatility rather than the specific needs of drummers. The BETA 56A's advanced pneumatic shock mount system minimizes mechanical noise and vibration, making it particularly suited for live performances.

Sound Quality and Performance

When it comes to sound quality, the BETA 56A is tailored specifically for capturing the nuances of drums and brass instruments, offering a frequency response of 50 to 16,000 Hz. Its supercardioid pattern provides superior rejection of off-axis sound and high gain-before-feedback, making it ideal for loud environments. In contrast, the SM-57 is renowned for its contoured frequency response, which excels in rich vocal pickup and background noise reduction. Both microphones deliver professional quality sound, but the BETA 56A is designed for more specialized applications.

Price Point Comparison

The BETA 56A is priced at $170.00, making it about 73% more expensive than the SM-57, which retails for $98.00. This significant price difference reflects the specialized features of the BETA 56A, particularly its engineering for close miking of percussion instruments. For those on a budget or looking for a versatile microphone for various instruments, the SM-57 presents a compelling value. However, for drummers and those needing a dedicated snare and tom microphone, the investment in the BETA 56A could prove worthwhile in terms of sound quality and performance.

Applications and Use Cases

The BETA 56A is specifically designed for close miking of tom-toms and other percussion instruments, making it a go-to choice for drummers and live sound engineers. Its built-in stand adapter and dynamic locking system ensure it stays securely in place, even during vigorous performances. The SM-57, however, is incredibly versatile, performing well with a variety of instruments, from acoustic guitars to brass and woodwinds. This versatility makes it a staple in studios and live settings alike, appealing to a broader range of musicians.

Popularity and Sales Rank

The Shure SM-57 enjoys a higher sales rank of 8,727, indicating its status as a popular choice among musicians and sound professionals. The BETA 56A, with a sales rank of 32,479, while still respected, does not match the widespread appeal of the SM-57. This difference in popularity may be attributed to the SM-57's versatility and affordability, which makes it accessible to a wider audience, including beginners and professionals alike.

Customer Feedback and Reviews

Customer feedback for both microphones highlights their reliability and sound quality. Users of the BETA 56A often commend its tailored frequency response for drums, noting the clarity and punch it brings to live performances. Conversely, the SM-57 garners praise for its adaptability and consistent performance across various applications. While both microphones receive positive reviews, the feedback often emphasizes the BETA 56A’s niche capabilities versus the SM-57’s broad usability.

Which should you buy?

In conclusion, the decision between the Shure BETA 56A and the Shure SM-57 ultimately depends on your specific needs and budget. If you are primarily a drummer or need a microphone dedicated to close miking instruments like tom-toms, the BETA 56A, despite its higher price of $170.00, is a solid investment for its tailored features and sound quality. However, if you are looking for a versatile, budget-friendly option that performs well across a range of instruments, the SM-57 at $98.00 is an excellent choice, offering exceptional value and reliability for musicians and sound engineers alike.